Maksim Onufrienko's profile

Conservation of a Cross (Crucifix) (19th c.)

Before the conservation (face)
Before the conservation (face). UV-photo. 
Before the conservation (detail)
Before the conservation (back)
During the conservation (face). Facing the painting
During the conservation (back). Joining panels (fish glue 20%), inserting wooden (oak) spleens
During the conservation (back). After the joining panels
During the conservation (face). Cleaning old varnish and dirt (1.Pinen+Ethanol 2:1; 2.Pinen+2-Ethoxyethanol 4:1). Deleting old overpaintings (Ethanol+Pinen+Dimexid 1:2:0,1)
During the conservation (detail). Cleaning old varnish and dirt (1.Pinen+Ethanol 2:1; 2.Pinen+2-Ethoxyethanol 4:1). Deleting old overpaintings (Ethanol+Pinen+Dimexid 1:2:0,1)
During the conservation (face). After cleaning old varnish and dirt (Pinen+2-Ethoxyethanol 4:1)
During the conservation (face). Filling the losses with ground (acrylic ground "Tair")
After the conservation (face). Inpainting (aquarelle), Final varnishing (dammar varnish)
After the conservation (detail). Inpainting (aquarelle), Final varnishing (dammar varnish)
Conservation of a Cross (Crucifix) (19th c.)
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Conservation of a Cross (Crucifix) (19th c.)

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